julia phillips uchicago

2009. She studied Visual Arts at the Academy of Fine Arts Hamburg before attending Columbia's MFA Program. Julia Phillips made history in Hollywood by becoming the first woman to win the Best Picture Oscar for producing the classic The Sting (1973), along with husband and producing partner Michael Phillips and Tony Bill. “Fashion, Microcosm, and Romantic Historical Distance,” in Rethinking Historical Distance: Varieties of Historical Engagement, ed. Azeb identifies, explores, and reimagines the mutual mistranslations that emerged within these social, cultural, and political moments of relation through the framework of the “Afro-Arab”: a racial identity, diasporic community, transnational space, and political project articulated through the overlapping cultural practices made possible through the encounters of Black and Arab peoples, cultures, and languages. Her work on marronage includes Anglophone and Francophone texts concerning resistance and revolution, archives of slavery, transatlantic flight and fugitivity, and translation. In addition to a semester at Universidad Complutense de Madrid, she has attended international residency programs, such as Vila Sul in Salvador, Brazil. In addition to video and works on paper, Phillips works primarily with ceramics and metal, creating sculptures reminiscent of functional objects that relate to the human body. Glazed ceramics, metal structure, granite tiles, slip cast ceramic microphone mesh, Crossing the Saharan Boundary: Lotus and the Legibility of Africanness, Uncovering Heian Japan: An Archaeology of Sensation and Inscription, Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics, The Anime Machine: A Media Theory of Animation. Journal of Urban Affairs 31(4): 461-90. Sub­jective constructions of neighborhood boundaries. Johnson’s current project is provisionally titled “Forms of Escape: Eighteenth-Century Narratives of Maroons and Marronage.” She has published a translation of “Bras Coupé,” a Francophone short story from Louisiana; a chapter on translation in Caribbean Literature in Transition, volume 1, 1800–1920 (Cambridge University Press, forthcoming); and recent articles in the interdisciplinary journals Portable Gray and Call + Response. Linda Goluch Phillips, AB'74, MD'78, is chief of the division of plastic and reconstructive surgery at the University of Texas Medical Branch at Galveston. Julia Phillips . Besides his academic work, Lyamlahy has published a novel, Un Roman Étranger  (Présence Africaine, 2017), and is a regular contributor to literary magazines in France and the United States. He is now working on a new book project on Moroccan poet Mohammed Khaïr-Eddine. She has been featured on outlets including The Vocal Fries podcast and Outside the Lines with Rap Genius, discussing topics such as linguistic discrimination, rappers’ linguistic styles, and the history of the word lit. Sharese King, Neubauer Family Assistant Professor in Linguistics, is a sociolinguist investigating language variation and change. Her current book project, “Another Country: Constellations of Blackness in Afro-Arab Cultural Expression,”examines transnational and translational Black literature, narrative, festival, and music to reveal how varying conceptions of Blackness and Black racial, cultural, and political identity are imagined, articulated, and mobilized from their origins in the often tense encounters between Black writers, musicians, activists, and intellectuals from the Americas, Africa, and Europe, and Arabic- or French-speaking North Africans in Egypt, Algeria, and France. 155. She also recently coauthored a piece with UChicago deputy dean and psychology professor Katherine D. Kinzler in the Los Angeles Times. The University of Chicago ... 5733 S. University Ave. Chicago, IL 60637 (p) 773-702-8063 (e) csrpc@uchicago.edu. Bharti Kher 145. Solo Exhibitions 2020: 'New Album' at Matthew Marks Gallery, NYC 2019: 'Fake Truth' at Kunstverein Braunschweig, Germany Daniel Morgan 773.702.3317 drmorgan@uchicago.edu. She asks, “How are African Americans using linguistic resources to construct multidimensional identities, and how do linguistic styles come to be racialized as Black?” In exploring racialized language, her research also aims to address the social and political consequences of this racialization in the courtroom and beyond. tableau@uchicago.edu 2009. Personal homepage . We tend to think of citizenship as something that is either offered or denied by a state. Her book examines the reverse of this fantasy. Julia Phillips is the Deputy Director of Methodology for RISC at Argonne National Laboratory. Department of Visual Arts Division of the Humanities. Colonial administrators and observers hoped that wage relations would train Black West Indians not only to be responsible for their affairs but also to form nuclear families. She teaches transnational literary histories of slave and maroon narratives, courses on archival theory and method, as well as the constructions of gender, race, and forms of bondage before 1850, and courses on archival theory and method. Her dissertation focused on verbal art among the Naso (Teribe) people, an Indigenous people of Panamá and Costa Rica. Assistant Director. Her exhibitions include Fake Truth at Kunstverein Braunschweig, Germany (2019); the group exhibition Performing Society: The Violence of Gender at Tai Kwun, Hong Kong; Feminist Histories: Artists after 2000 at Museu de Arte de São Paulo, Brazil; Duro Olowu: Seeing Chicago at the Museum of Contemporary Art Chicago (2020); and Failure Detection at MoMA PS1 (2018). Julia Phillips Assistant Professor, Department of Visual Arts juliaphillips@uchicago.edu. Julia Phillips, assistant professor in Visual Arts, primarily works with ceramics and metal, creating pieces reminiscent of functional objects. 1115 East 58th Street | Chicago, IL 60637 She holds a PhD in American studies and African American studies, with a certificate in women’s, gender, and sexuality studies, from Yale University. … He is currently developing a new argument that failing to obey a grammatical requirement imposed by a particular word—which would normally result in an ungrammatical sentence—can actually yield a well-formed output if a larger phrase containing that word subsequently undergoes a syntactically triggered process of ellipsis (deletion). Julie Phillips is a Nurse Practitioner Specialist in Chicago, Illinois. Tina Post is an assistant professor in English Language and Literature, a faculty member of the Committee on Theater and Performance Studies, and an affiliate of the Center for the Study of Race, Politics, and Culture. “Mediator” by Julia Phillips. Alan E. Steinweis and Robert D. Rachlin, eds., The Law in Nazi Germany: Ideology, Opportunism, and the Perversion of Justice; Kim C. Priemel and Alexa Stiller, Reassessing the Nuremberg Military Tribunals: Transitional Justice, Trial Narratives, and Historiography Mariana Castillo Deball, Daniel Ricardo Quiles & Yesomi Umolu 149. Read Bio She also holds an MFA in creative writing and literary arts from the University of Alaska Anchorage and a BA in English literature from Wells College. Her latest publication is “Crossing the Saharan Boundary: Lotus and the Legibility of Africanness” (Research in African Literatures, Fall 2019). Erik Zyman, assistant professor in Linguistics, is a theoretical syntactician. Alberto Aguilar 152. Early Childhood Research Quarterly 24(3): 271-88. Join our Mailing List. His research focuses on building bridges between what are today loosely called “old materialisms”and the “new materialisms.” Old materialisms—associated with engineering, feasibility studies, communications and technology studies, and Marxism—entailed empirical studies of infrastructures, communication networks, and technologies. She was awarded the National Science Foundation’s Graduate Research Fellowship and obtained her MA and PhD in linguistics from Stanford University. "Without Exception: On the Ordinariness of Violence" Los Angeles Review of Books Lauren Berlant (English Language and Literature) discusses the pervasive nature of violence. The work-family support roles of child care providers across settings. Her scholarship draws from literature, visual culture, fine art, theater, and movement. He received a master’s degree in comparative literature from l’Université Sorbonne Nouvelle Paris 3. Mark Salber Description. She researches how resistance practices and flight from enslavement by Black and Native individuals in the Caribbean and North America shaped textual and visual production in the colonial period. Sophia Azeb, assistant professor in English Language and Literature, works at the intersection of Black studies, American studies, and Middle East studies. He was previously a professor at McGill University. A Fulbright fellow, Julia has written for The New York Times, The Atlantic, and The Paris Review.She lives in Brooklyn. Laura Steward Curator, Campus and Public Art. Kaneesha Cherelle Parsard, assistant professor in English Language and Literature, is a cultural critic whose research concerns the legacies of slavery and emancipation in the Caribbean and broader Americas. A visiting artist lecture with Julia Phillips as part of DoVA's Open Practice Committee. for art related inquiries please contact: info(at)matthewmarks.com - - - for academic inquiries please contact: juliaphillips(at)uchicago.edu He also holds a master’s degree in engineering from the École des Mines d’Alès and has previously worked as a consultant and project manager in Paris and London. Her scholarship appears in American Quarterly, Indo-Caribbean Feminist Thought, and Small Axe. Jessica Stockholder Emilia Justyna Powell, Steven Christian McDowell, Robert O’Brien, Julia Oksasoglu Islam-based legal language and state governance: democracy, strength of the judiciary and human rights, Constitutional Political Economy 54 (Jan 2020). His work focuses on North African Francophone literature in relation to political, social, and cultural debates in the region and beyond. Skip to internal navigation, Department of Visual Arts (DOVA) 773-753-4821 Her next upcoming shows are the New Museum Triennial and her first institutional solo exhibition, at MoMA PS1 titled ‘Failure Detection’. Azeb’s theorization of these cultural and political histories aims to develop an expansive genealogy of North Africa’s contentious mode of belonging to the African diaspora. Julia Phillips was born and raised in Hamburg, Germany. Chicago, IL 60637 Drawing from canonical literary and narrative writings and adjacent forms of cultural expression by figures including Claude McKay, James Baldwin, Frantz Fanon, and Ali Hassan Kuban, “Another Country” traces the North African presence in Black transnational political and cultural work informed by Non-Alignment, pan-Africanism, pan-Arabism, and Third Worldism. dova@uchicago.edu. Julia Phillips was born and raised in Hamburg and is the citizen of Germany and the United States. She is particularly interested in nonfiction writers’ experimentation with nontraditional essay structure. Natalia Bermúdez, assistant professor in Linguistics, has worked extensively to describe and document Indigenous languages in Latin America, primarily Chibchan languages, especially Naso (Panamá). Ryan A. Davis, The Spanish Flu: Narrative and Cultural Identity in Spain, 1918 Mark Honigsbaum, A History of the Great Influenza Pandemics: Death, Panic, and Hysteria, 1830–1920 Johnson holds a PhD in English from the University of California, Berkeley. She is examining how Indigenous people resist depictions of themselves and practice self-determination using verbal art. Privacy Notice. dova@uchicago.edu. In addition to monographs focused on specific sociohistorical contexts, he has sustained a strong profile in media theory and philosophy, publishing substantial theoretical essays and introducing the work of important philosophers and media theorists, both French and Japanese. Covering a wide range of disciplines and intellectual interests reflecting the interdisciplinary nature of our program, the faculty at the University of Chicago are internationally celebrated artists working at one of the premier research universities in the United States. Most recently, Parsard contributed an essay to the Small Axe exhibition catalog, The Visual Life of Social Affliction, about which she spoke at its opening at Art Basel Miami Beach in 2019. More recently, he has published two books on anime: The Anime Machine: A Media Theory of Animation (University of Minnesota Press, 2009), which shows how technologies of anime production spurred the formation of distinctive lineages of technological thought in Japan of the 1980s and ’90s, and The Anime Ecology: A Genealogy of Television, Animation, and Game Media (University of Minnesota Press, 2018), which builds across domains of inquiry that have been held apart—infrastructures and platforms, social practices, psychological complexes—to offer a new set of conceptual terms for the study of new media and social media. Her recent paper in the Journal of Linguistic Anthropology, “Ideophone Humor: The Enregisterment of a Stereotype and Its Inversion” (2020), discusses how Naso women mock the stereotype of the Naso rube character for social and political commentary. Director. The Division of the Humanities welcomes ten new faculty members, including nine former Provost’s Postdoctoral Fellows. Bromer, Juliet, and Julia R. Henly. She co-produced with her husband, Michael (and others), three prominent films of the 1970s — The Sting, Taxi Driver, and Close Encounters of the Third Kind — and was the first female producer to win an Academy Award for Best Picture, for The Sting. Lamarre studies the history of media, an interdisciplinary and multidisciplinary pursuit overlapping with art history, communications, the history of science and technology, and the study of culture. Before coming to UChicago, Parsard was the Mellon Postdoctoral Fellow in Critical Race Studies at Northwestern University’s Kaplan Institute for the Humanities. Stephen M. Baum, AB'75, works on high-end electronic publishing systems at Interleaf. Prior to attending Stanford, she received her BA from the University of Rochester, where she majored in linguistics and minored in American Sign Language. Modern history teaches otherwise. Skip to main content She graduated with honors in 2010. Her sculptures often incorporate body casts alongside mechanical accoutrements, interrogating physical relations as metaphors for social dynamics. His major publications include Uncovering Heian Japan: An Archaeology of Sensation and Inscription (Duke University Press, 2000), a study of the formation of media networks that connected the Heian court of Japan (AD 794–1183) to other quasi-dynastic political communities across Korea and China, and Shadows on the Screen: Tanizaki Jun’ichirō on Cinema and “Oriental” Aesthetics (University of Michigan Center for Japanese Studies, 2005), which explores the relation between the emergence of global cinema and the “racial solution” of imperial nationalism. Drawing on the work of theorists such as Luce Irigaray, Julia Kristeva, and Judith Butler, we will explore what strategies these writers employ to depict an entity understood to be unrepresentable. She looks to indentured women who stored their wages in gold and silver bangles and to kept women who exchanged sex and companionship for resources. Bermúdez received her PhD and MA in linguistics from the University of Texas at Austin. Julia Gibbs 773.702.1118 jgibbs@uchicago.edu. She examines how these events shape Caribbean literary and visual works, with an emphasis on how gender and sexuality structure race, labor, and capital. She is also interested in the multilingual expressions and experiences of Latinx and queer identities. Associate Provost and Executive Director of UChicago Arts and the Reva and David Logan Center for the Arts. Julia Phillips (April 7, 1944 – January 1, 2002) was an American film producer and author. Born 1985 in Hamburg, lives and works in Chicago and Berlin. Michael Jones, Julia Barrow, David Crook, and Trevor Foulds, eds., The White Book (“Liber Albus”) of Southwell, with contributions from Neil Bettridge, Jean Cameron, Paul Cavill, and Teresa Webber Campbell, Elizabeth, Julia R. Henly, Delbert S. Elliott, and Katherine Irwin. She is a regular contributor to the Funambulist magazine. 915 E 60th St. In contrast, new materialisms mobilize ontological approaches that stress the experience and use of media. Reva and David Logan Center for the Arts 915 East 60th Street, Suite 236, Chicago, IL 60637 Senam Okudzeto 148. Zyman’s work has been published in Natural Language and Linguistic Theory, in Glossa, and elsewhere. Through the late nineteenth and early twentieth centuries, Parsard traces informal relations of wage earning and the concomitant development of a literary and visual repertoire of figures by which West Indians and Britons registered and thought about these relations. 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